A1. two
A2. twelve
A3. nineteen
A4. nine
A5. fourteen
B1. thirteen
B1. twenty
B3. fifteen
B4. ten
B5. three
Vladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing "vd5" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.
Based in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What "jazz" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of "jazz"? Whatever came before is a springboard, not a limitation.
Composed, produced and mixed by Vladislav Delay
Maria Bertel, trombone
Lucio Capece, soprano and slide saxophones, khene
Derek Shirley, bass
Max Loderbauer, Haken continuum & piano vd, electronics, production, mix
Recorded at Candybomber, Berlin by Ingo Krauss
Mastered by Juho Luukkainen
Vinyl cut by JSA at Timmion Cutting, Helsinki
Design by Matti Nives
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