A2 Steady Tremble
B1 Don't Believe The Dancers
B4 No Beginning
B5 No End
WYKRAWANA ZEWNĘTRZNA KOPERTA (DIE CUT OUTERSLEEVE)
Z każdym kolejnym wydawnictwem, Jazz Is Dead kontynuuje podkreślanie dziedzictwa ikonicznych muzyków, którzy ukształtowali tkankę jazzu na przestrzeni pokoleń, gatunków i kontynentów. Na najnowszym wydawnictwie wytwórnia nawiązała współpracę z Tony Allenem, najbardziej znanym jako perkusista Africa 70, a później Egypt 80 Feli Kutiego. W trakcie swojej kariery nagraniowej Allen zdefiniował brzmienie afrobeatu, łącząc wpływy funku i jazzu z nigeryjskim highlife, tworząc międzykulturowy dialog, który stał się globalny. To był ogromny zaszczyt gościć pana Allena na bardzo specjalnej sesji nagraniowej w Linear Labs Studio, a my nie moglibyśmy być bardziej podekscytowani mogąc podzielić się z wami wspaniałymi kawałkami, na skrzyzowaniu funku, spiritual jazzu i afrobeatu.
With each subsequent release, Jazz Is Dead continues to exalt the legacies of iconic musicians who have shaped the fabric of Jazz across generations, genres, and continents. For their latest installment, the label connected with the late great Tony Allen, best known for his foundational work as the drummer for Fela Kuti's Africa 70, and later Egypt 80. Over the course of Allen's recording career, he defined the Afrobeat sound, meshing Funk & Jazz influences with Nigerian Highlife to create a cross-cultural dialogue that has gone global. It was no small honor to welcome Mr. Allen for a very special recording session at Linear Labs Studio, and we could not be more thrilled to share these crucial and downright funky cuts with you.
On album opener "Ebun", guitars and horns build off of Allen's instantly recognizable drum patterns, stretching and warping time signatures as they cross paths. It instantly recalls the seminal Africa 70 recordings which Allen was a driving force on. Psychedelic keyboards and percussion clash on "Steady Tremble", a heavy stomper tailor-made for dancefloors in every corner of the world. Just as funky is the kinetic and expressive "Oladipo". Built between a tense call and response between the horns, the track is filled with drama, and Allen steadily keeps each element in balance. As soon as the flute struts in alongside fiery horns and guitar on "Don't Believe the Dancers", the groove plunges further, propelled by an acerbic saxophone solo that animates Allen's percussion. "Makoko" is a moody, mid-tempo jam that evokes classic Fela Kuti recordings such as "Open & Close" and "Gentleman", slowly constructing an elaborate orchestra of polyrhythm, all keeping step with Allen's rhythm. "Lagos" points towards the spiritual and literal home of Allen and Afrobeat, the capital of Nigeria, and homes in on a yearning keyboard.
Similar to on his excellent Art Blakey tribute record, Tony Allen is a revelatory jazz drummer, as heard on "No Beginning", a mid-tempo tune that sits at the nexus of Spiritual Jazz and Afrobeat, which perfectly transitions into album closer, the aptly titled "No End", a poignant number that combines all of the passion and precision of the previous tracks, and let's Allen guide listeners yet again as only he so effortlessly could.
Despite the finite time that Allen had on this planet, as do all of us, his contributions to music are timeless and untouchable, and will continue to inform and inspire generations to come. Jazz Is Dead is honored to have played a part in the legacy of Tony Allen and invites you to discover the unparalleled genius that shifted the entire world's conception of time, a magician who alchemized the past with the future and influenced countless listeners, currently and to come.